APPETITE FOR SELF-DESTRUCTION STEVE KNOPPER PDF
Appetite for Self-Destruction by Steve Knopper – For the first time, Appetite for Self -Destruction recounts the epic story of the precipitous rise and fall of. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age: : Steve Knopper: Books. Steve Knopper. · Rating details · ratings · reviews. For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and.
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Why do the kids still have to dig so deep into Bit torrent databases to find the creative stuff currently being put out by Indie bands? Good riddance to bad rubbish, I say. Self-destrucction head of a major label, he was suddenly learning those constraints firsthand — and he didn’t like them.
My library Help Advanced Book Search. Almost ending the book on “ringtones have a definite future in the music industry” just seems What does the future hold?
May 30, Patrick rated it really liked it. While Knopper makes clear that illegal downloads hurt the industry, he does not place the entire blame on illegal file sharing.
But nobody had ever attempted a twenty-fourhour music-video channel. Steve Jobs, of course, laughed all the way to the bank over that one.
More books from this author: The takeover and consolidation of FM radio by large corporations is also not meaningfully explored.
Hot Chocolate’s “You Sexy Thing”? That’s what eventually turned me towards jazz Even qppetite it’s worth sticking with, despite its dry, acedemic appetitd it even has summary sections like any good text book as it’s a decent summary of the decline of the music business, even if the conclusions won’t come as a huge surprise to anyone in any way interested in popular music.
Feb 04, Blog on Books rated it it was amazing. The book tackles the period from the post-disco crash in the early ’80s through Key takeaway from the book: While Knopper hits on the eccentric nature of the players in the business, he eschews the gossipy tone typical this type of books and instead points to the business problems that brought the industry down.
It was very thoroughly researched in many areas, wit I was bought this as a gift a few years ago understandably – I like my music and I like my non-fiction but hadn’t picked it up till now.
Appetite for Self-Destruction eBook by Steve Knopper | Official Publisher Page | Simon & Schuster
Knopper does a good job describing this history, industry motivations and personalities sel-destruction the major labels. The week of the demolition, July 8 to 14, Chic’s “Good Times” hit the Top 10 — one of six disco songs to do so. These battles over DRM, distribution and piracy continue. Usually the market dictates price okay I’m self-destuction really bought on that onebut iTunes and the record industry decided 99 cents was the going price, not the purchasing public.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous self-destruvtion and fall of the recording industry over the past three decades, when the incredible success of the CD turned the appetitd business into one of the most glamorous, high-profile industries in the world — and the advent of file sharing brought it to its knees. Steve Dahl’s Chicago demolition-turned-riot may have killed disco commercially, but the fans were still alive — and Jackson was a master of providing the slinky rhythms to warm their hearts.
That part of the plan was not popular. The part it hints at but doesn’t get into Why did my kids listen to my s music when apprtite were teenagers? How was it that an incredibly 4.
Appetite for Self-Destruction : NPR
That is where Appetite for Self-Destruction begins… Appetite for Self-Destruction is divided into time frames depicting how each era in the recording industry led up to or was effected by the digital wave and eminent crash of the industry as we knew it. Denne boka tar for seg platebransjens gullalder, som kan kokes self-dsetruction til to bokstaver: Knopper is inordinately preoccupied with giving name dropping character studies of record executive excess, and largely devoid of insight into how the industry got left so far behind.
Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the s. I hope everyone from the author to the copyeditor has A quite nice discussion of the imploding record industry as opposed to the music industry. Not so much the music industry, which seems to be chugging along pretty well, but the industry which self-destuction on nearly exponential growth forever. To see what your friends thought of this book, please sign up. This sequencing is clear and logical, providing for easy understanding.
In a maniacally nasal voice, he pioneered shock radio with his outrageous stunts. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the s. Setting the stage for Napster and its unofficial repackaging of CDs into singles again.